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1955 Fender StratocasterSold
Vintage 1955 Stratocaster Ex++ condition 8,5/10, 100% original, refret. w. OHSC Buyers for these guitars would of course want plenty of info and pictures that we would gladly supply.
Please contact us for price ( Only serious request, please)
1959 Gibson ES-335Sold
Vintage 1959 ES-335 Sunburst Fantastic mint condition ES-335, 100% original, w. OHSC Buyers for these guitars would of course want plenty of info and pictures that we would gladly supply.
Please contact us for price (Only serious request, please)
Unicorn Sovereign BassNew
Unicorn Bass and Speakers
We are proud to announce that we are officially one of the selected dealers for Unicorn Basses and Speaker Cabinets.
Unicorn Basses are handmade in Sweden and truly custom built for each customer. Only the best wood selection and electronics go into each personalized instrument that make them a true work of art.
We will arrange Bass clinics and you are always welcome to try out instruments in a unique environment, where you can actually test it and experience how it sounds in real live and recording situations.
Please send us an email if you want us to contact you when we have clinics and specials.
Basses from 29,000 to 59,000 sek
Specs. of Bass in pictureScale 32” scale.
Soverign Set neck:
Neck-construction Maple/purpleheart 7-ply bookmatched supreme quality fretboard 24 fret west african ebony master grade quality
Body-Selected mahogany bookmatched and bookmatched top with contrast veneer.
Bridge ETS solid brass 2-piece
Tuners Gotoh GB7
Pickups Unicornbass QUAD custom with pickup switching for each p/u
Preamp Active Master 2- band. Vol | Bal | Treble | Bass | active/passive switching, Quad switch x2
Finish High gloss natural
Options: 4/5/6 strings | Different bookmatched tops, Lefthanded and fretless at no extra cost | LED´s price on request | Rosewood fretboard | Maple fretboard |
Black, chrome or gold hardware | 3- or 4 band EQ or 3-band with sweep mid |
And many more options…
PRS Private Stock SCSold
Rare PRS Private Stock single cut, in special colour “beige”. One piece Rosewood neck and fretboard. Extremely figured Private stock quilted maple top. Fantastic instrument, very resonant.
This one, as featured in Private Stock calendar, factory new (time capsule) condition w. OHSC, still in box
PRS Private Stock McCartySold
PRS Private Stock McCarty, Violin guitar. With the “violin” choice top, pernumbuca neck, 57/08 and 59/09 pickups.
Tom Anderson Hollow Drop TopSold
Tom Anderson Hollow Drop Top
BODYTYPE: Hollow Body (visually undetectable hollow body chambers) SCALELENGTH : Traditional (25 1/2-inch) BODYWOOD: Flame Maple Top on Mahogany Back NECKWOOD: Maple with Rosewood Fingerboard HEADSTOCKCOLOR: Match Body Color (fingerboard necks only) NECKBACKFINISH: Natural Satin NECKBACKSHAPE: Happy Medium +.050—increased depth NUTWIDTH: 1 5/8 -inch FRETS: Heavy—Exclusive Anderson Stainless Steel BRIDGE: Vintage Tremolo TUNINGGEAR: Locking (std with Vintage Tremolo) HARDWARECOLOR: Chrome NECK/MIDDLEPICKUPS: SF2BRIDGEPICKUP: HF2SWITCHING: 5-Way Add-Bridge w Split + VA Boost FINISH: Burnished Orange Burst
Tom Anderson Hollow Drop Top Light Tiger EyeSold
Tom Anderson Hollow Drop Top
BODYTYPE: Hollow Body (visually undetectable hollow body chambers) SCALELENGTH : Traditional (25 1/2-inch) BODYWOOD: Flame Maple Top on Alder Back NECKWOOD: Maple with Rosewood Fingerboard HEADSTOCKCOLOR: Match Body Color (fingerboard necks only) NECKBACKFINISH: Natural Satin NECKBACKSHAPE: Happy Medium +.050—increased depth NUTWIDTH: 1 5/8 -inch FRETS: Heavy—Exclusive Anderson Stainless Steel BRIDGE: Vintage Tremolo TUNINGGEAR: Locking (std with Vintage Tremolo) HARDWARECOLOR: Chrome NECK/MIDDLEPICKUPS: SF2BRIDGEPICKUP: HF2SWITCHING: 5-Way Add-Bridge w Split + VA Boost FINISH: Light Tiger Eye
Fender Master Built Custom Shop StratSold
Master Built Custom shop 1959 Stratocaster
By Todd Krause, (builder for Eric Clapton, Jeff Beck etc.)
This amazing new 1959 NOS finished Strat in Lake Placid Blue, 10” fretboard radius, 6105 frets, John Cruz special pickups, Bone nut, AAAA maple neck, 59 neckshape. Wait time for a Master Built Todd Krause are at least 2 years.
58,500Driftwood price 38,900 sek
Music Man Luke BFRNew
Luke Family Reserve Bahama Blue
30,500Driftwood price 24,495 sek
The Ball family is the last of a dying breed, a family business making guitars and basses exclusively in the United States. Ball Family Reserve is a celebration of our heritage in instrument craftsmanship which features some of the finest figured tone woods and finishes available. These rare heritage pieces will be offered in limited runs and allow us to present instruments to the public that were previously reserved for family and our loyal artists. Size:12-3/16” wide, 1-3/4” thick, 36-7/16” long (31.0 cm wide, 4.5 cm thick, 92.6 cm long) Weight:7 lbs, 13 oz (3.54 kg) – varies slightly Body Wood:Alder with bookmatched maple top and mahogany Tone Block. Koa top – Mahogany body. Body Finish:High gloss polyester Bridge:Standard – Music Man® floating vintage tremolo of chrome plated, hardened steel with bent steel saddles. Koa top – Music Man vintage tremolo with gold plating. Scale Length:25-1/2” (64.8 cm) Neck Radius:12” (30.5 cm) Headstock Size:Only 5-7/8” (14.9 cm) long Frets:22 – Low profile, wide Neck Width:1-5/8” (41.3 mm) at nut, 2-3/16” (55.6 mm) at last fret Neck Wood:Maple top – Select maple neck. Koa Top – Honey bursted mahogany. Fingerboard:Maple top – Rosewood. Koa Top – Ebony. Fret Markers:Standard dots with Mother of Pearl BFR inlay at 12th fret Neck Finish:Gunstock oil and hand-rubbed special wax blend Neck Colors:Natural with matching painted headstock Tuning Machines:Schaller M6-IND locking Truss Rod:Adjustable – no component or string removal Neck Attachment:5 bolts – perfect alignment with no shifting; Sculpted neck joint allows smooth access to higher frets Electronic Shielding:Graphite acrylic resin coated body cavity and aluminum lined control cover Controls:25kohm volume and tone – .10µF tone capacitor Switching:5-way lever pickup selector Pickups:HSS – 1 Active EMG model 85 humbucking; 2 Active EMGSLV custom single coil
Gustavsson, Blues MasterSold
Gustavsson Blues Master
Custom built by Luthier Johan Gustavsson, with body and neck from 50 year old mahogany, and rosewood fretboard. Custom with a humbucker in bridge position and a P90 or P90 sized TV Jones in the neck position.
Can be fitted with vintage original PAF and P90 as an option.
Used, mint condition
Sanden VRB Cutaway, Amazing instrument by Swedish Luthier Michael Sanden.
63,500Driftwood price 38,900 sek
Sanden Nylon Cutaway, Rosewood Back and Sides, Amazing instrument by Swedish Luthier Michael Sanden.
63,500Driftwood price 38,900 sek
Grimes Beamer Model
Steven Grimes Beamer Model
Handbuilt by Stephen Grimes in Kula Hawaii
With Carpatian Spruce top, KOA back and sides
This double sound hole guitar was originally designed for and made popular by Keola Beamer, the great Hawaiian slack key artist. It has an astounding capability to produce a deep, rich tone with a bass response previously unattainable in a similarly sized body. By moving the soundhole away from the end of the fingerboard, a larger area of the top can be utilized to achieve a bigger sound overall. The transverse brace, usually located just behind the soundhole in front of the bridge, can be moved up to the end of the fingerboard, effectively “opening” up the tone producing potential of the soundboard. Available in “OM” (15 1/8” wide), and Concert (16 wide) sizes, the Beamer model is great for players who like a deep bass, especially those playing “slack key” style or using tunings with “D” or “C” in the bass.
The double soundhole design does a few things better, or at least different, than a standard center soundhole guitar. In this design the traditional 3 7/8” – 4” round center soundhole, is replaced with two approximately 2 7/8” soundholes on either side of the fingerboard in the upper bout. The tonal changes most noticeable are the increase in sustain and the added richness to the bass. Having a larger area of soundboard that’s not interrupted by a soundhole, the double hole configuration allows for a fuller bass response, not unlike the difference between the richness of bass in a 15’ woofer compared to a 10” woofer in a stereo system. Some of my customers use slack key tunings with a “C” in the bass, and this design is capable of better reproduction of those low tones. At the same time, the mids and trebles are maintained by a bracing pattern that is a close relative of the traditional “X” brace, but which uses another “X” up under the fingerboard. The lower bout “X” is slightly shifted to the treble side, which enhances the mids and trebles and further helps the bass by creating larger areas on the bass side. It also reduces the possibility of cancelation, or “washing” of the sound from side to side due to perfectly symetrical vibrating areas on the treble and bass sides.
The upper bout of a flat top guitar is an area that is relatively limited acoustically, especially in comparison with the lower bout. It is a perfect location for the soundholes for a number of reasons. 1) The resonating area of the lower bout is enhanced. 2) The close proximity of the bracing under the fingerboard (the upper “X”) and the sides of the guitar to the two soundholes makes it unnecessary to use heavy bracing to support the edges of the soundholes, unlike the center hole design, where the hole is surrounded by substantial bracing. 3) The sound of the guitar is more prominent to the player, since the bass side hole is closer to the ear.
To sum it up, the double hole design produces a full, warm bass response and overall increase in sustain. The player also hears a more immediacy of tone to his/her ear . It sounds almost like holding a standard guitar up closer to your ear while playing.
One drawback for the double hole design is that for those players with a deep, aggresive pick attack, its easier to scratch the soundboard under the strings with the pick, since there’s no hole there. Tonewise, the single soundhole guitars have a slightly more punchy quality to the tone with greater attack, while the double holes lend themselves to a warmer, rounder kind of response more suited to fingerpicking. I hear the word “open” used by players who pick up this guitar for the first time.
Two Notes Torpedo VB-101New
The Torpedo VB-101 is a DI for your
head amplifier composed of 3 main parts: a 150W RMS Loadbox to play silently
with your amp or preamp, a speaker & miking simulator powered by the
acclaimed Torpedo technology with all your favorite cabs inside and a Post-FX
section with all the processing effects you usually need when miking a guitar
cab (low-cut filter, 5-band EQ, exciter, compressor).
The Torpedo VB-101 is made to be used
with a guitar/bass amp or preamp. Plug it in place of your regular cabinet and
enjoy all the great characteristics of your audio amplification chain (from the
guitar to the amp, including effects pedals) silently!
The Torpedo VB-101 can replace the
whole guitar sound-recording process with some powerful simulation of the
cabinet, microphone, mic preamp and studio acoustics. Choose your speaker among
the 45 available, your microphone among the 8 most used studio mics and sculpt
your sound with the included effects section (EQ, Exciter, Compressor).
Sound recording is done in silence and with
perfect control of every critical parameter.
In a home / project studio, where the
cabins are not necessarily suitable for miking guitars (and the resulting high
volume), the Torpedo allows engineers to achieve sound recording silently
with no compromise with regards to sound quality.
For studios already equipped for miking
guitar (cabins, microphones), it offers an alternative to the regular sound
recording process and can also be used as an addition to provide a wider range
of possibilities at the mixing stage.
Another common use in a studio environment
is when you need to record a whole band in live conditions. The
Torpedo VB-101 then allows you to completely isolate the sound from the
bass guitar and other instruments without necessarily having a dedicated cabin.
13,500Driftwood price 11,390 sek
In home / project studio, where the cabins are not necessarily suitable for miking guitar (and the resulting high volume), it allows the engineer to perform a sound recording silent ly without any compromise on the sound.
For studios already equipped for miking guitar (cabins, microphones), it offers an alternative to the regular sound recording process and can be used together to provide a wider range of possibilities in the mix.
Another common use is in the studio when you need to record a whole band in live conditions. The Torpedo VB-101 then allows you to completely isolate the sound from the bass guitar and other instruments without necessarily having a dedicated cabin.
On stage, the Torpedo VB-101 will be a big asset for the comfort of the musicians and the public.
Find your own sound every night, gig after gig, do not be dependent on the bad microphone or the one not necessarily very well placed, etc.
The sound recording is not “polluted” by other instruments, making the FOH and personal monitor mixes much easier to do and more comfortable for the musicians.
The new feature of the Torpedo VB-101 is what every sound engineer wants: the possibility to precisely place two microphones in front of a cabinet, or to select two different cabs and mics to mix the sound as you wish.Remiking
In the studio, it can be very interesting to record a raw track that you can later reprocess (we call this “remiking”) at the mixing stage thanks to the Torpedo VB-101. This allows you to concentrate on the music when recording, not on the sound
Of course, you can record both processed and unprocessed signals to your DAW at the same time.
The use of computer stations has become a
must these days, that’s why we have developed an application to control the
Torpedo VB-101 remotely from your Mac/PC via the USB connector on the rear
panel of the Torpedo VB-101.
With its clear and intuitive interface, the
Torpedo Remote software will give you access to all the VB-101 parameters,
loading and saving presets, loading new IR’s and updating your VB-101. Via an
enhanced graphical interface, you have access to easier management of the
VB-101′s speakers and presets.
The Torpedo Remote is Mac/PC compatibe and
can be freely downloaded in the downloads section.
Torpedo VB-101 is a DI for your head amplifier composed of 3 main parts: a 150W
RMS Loadbox to play silently with your amp or preamp, a speaker miking
simulator powered by the acclaimed Torpedo technology with all your favorite
cabs inside and a Post-FX section with all the processing effects you usually
need when miking a guitar cab. (Low cut filter, 5-band EQ, exciter,
The bold and punchy Superdrive 50 Tube Amplifier is Skydstrups latest addition in line of all-tube amplifiers.
This is an amplifier for pure rockers. No clean channel.
Two channel design – ranging from fast, percussive overdrive tones to high gain lead tones.
This is not the typical LA-sounding amplifier, but an amplifier with a pronounced midrange.
Channel 1 ranges from almost clean to punchy, fast overdrive tones.
Channel 2 ranges from an AC/DC type of sound to screaming high gain lead tones. Finally a high gain amplifier that will really respond to your playing.
The switchable A/B Master Volume feature enables you to instantly go from rythm level to solo level – without any additional units connected.
33,900Driftwood price 21,500 sek
Blond “Dumble style” 50 w 6L6 Tube amp
49,900Driftwood price 31,900 sek
Limited quantity to 50 amps, we have one of the few 230 volts in stock Can be fitted with opotional NOS Tubes please contact us for price From Two-Rock web-site: We were in the process of designing a new amp when Taku Sakashta’s life was taken tragically. He had always wanted to make an amp called the “Tone Secret,” so to honor this incredible man and world renowned luthier, we introduce the TS-1. This amp debuted live on May 23rd, 2010, with Robben Ford, Boz Scaggs, Volker Strifler, and Tuck & Patty at a benefit concert for the Sakashta foundation. See the video HERE With exceptional cleans and articulate leads, this amp has been catching eyes left and right. Product Specs Tribute Taku Sakashta Amp – LIMITED 6L6 or EL34, 50 or 100 watt Vintage Power Supply Exceptional clean head room Open, Articulate Leads NPODS (No Post OD Tonestack) Available in Standard Black or Blond Tolex
Two Rock EL-1
13,000Driftwood price 8995 sek
The Two-Rock buffered effects loop interface (ELI) is an effective tool for the guitarist wishing to utilize a myriad of outboard effects with any guitar amplifier having preamp output and power amp input jacks. Although not shown in the interconnect diagrams, the unit can also be used at the front end (preamp) of any guitar amplifier to buffer the signal fed to the amp. The buffered interface eliminates the insertion loss of effects chains by eliminating impedance mismatches created by various outboard effects units. In addition, compensation for hi frequency signal loss resulting from multiple effects being daisy-chained as well as long cable runs can be implemented. Signal Processing There are 2 main sections to the Effects loop interface. The first stage consists of a high impedance vacuum tube buffer with a +20dB signal increase capability as well as a high frequency boost via a bright switch if desired. Signal is then fed to the effects chain. Signal returning to the unit is processed by a second buffered tube stage with controllable signal level attenuation and an additional bright switch. Virtually any combination of effects, even with long cable runs, can benefit from the correct application of this interface. In addition, tone shaping via EQ and additional gain available can be used to alter or supplement your sound. Experimentation with signal levels is encouraged as there are a variety of settings that prove satisfactory. Quick Facts: All tube signal processing Input and output level controls and bright switches for EQ tailoring Single rack space mount or stand-alone (detachable rubber feet included) Built in power supply Extremely low noise floor 19” wide(at mounting tabs) x 1.75” tall x 9” deep Only 4 lbs
Two Rock Signature 2x12 Cabinet
Two-Rock 2×12 Signature Cabinet
8,995Driftwood price 6,995 sek
Two Rock SD 2×12 Signature cabinets are the ultimate guitar extension cabinets. Designed specifically to match our Signature Series Amplifiers, the SD cabs feature void free multi-ply birch construction, special bracing, tuned back, sides, and baffle, and tuned rear port. The result is a stunningly lively cabinet with a huge soundstage and even bass and dispersion. SD-2-12 Quick Facts: 21.5” wide x 29” tall x 12” deep – Only 50 lbs. with 2 TR12-65s / TR12-65 Individually tested and matched drivers Each cabinet is serialized and signed by Bill and Joe personally Tuned semi-open (ported) back design works well with a variety of speakers Standard colors: black tolex with black grille and white piping, Power handling: 180 watts RMS with TR12-65s, 200 watts RMS with TR12-65Bs Available in 4, 8, or 16 ohms
Audio Kitchen Lil Chopper
7 watt Custom built amp from England, as used by Jeff Beck on his latest album
This one with some extra goodies like, Bright switch, switch between EL84 and 6V6/6L6, Hi-Lo input.
19,900Driftwood price 14,900 sek
You can without removing tubes actually switch between 2 completely different output tubes and dramatically change the character of the amp. Amazing little amp for session/studio work or for live gigs as well. Quite loud if you want to. Finally a great tube amp for recoding sessions when you don´t want to be to load. Articulation and feel is amazing. please contact us for price The Little Chopper is an amp whose diminutive stature belies its vast wealth of exquisite sounds. Based around an ECC81 and ECC83 in the preamp and EL84 power amp, the tones range from ultimate ‘American’ cleans, through classic British chime and grunt, all the way out the other side to Crazy-Horse style scuzz. Controls on the front panel are Gain, Bass, Middle, Top, Stack, Power. Gain – This does what might be expected. It has the same function as the Volume or Gain control on early Non-Master volume amplifiers. Bass, Middle, Top – The tone stack is very flexible and with interactivity between its controls, ensures multitudinous timbral variation. Stack – This is a little trickier. In the counter-clockwise position the Bass, Middle and Top (BMT) controls behave as normal, but in the clockwise position the whole of the BMT is stripped out and just the Top control re-purposed as a high end roll-off. When your typical BMT stack is set to what appears ‘Flat’, in actual frequency response terms the Mids are scooped and the Lows and Highs are hyped. Having the BMT stack in there also attenuates the signal to quite a large degree, so when it is replaced by the high end roll-off there is a gain boost and an apparent mid boost. Power – This is a lot trickier. Full Clockwise the amp behaves like a standard non-master volume amp, but as the continuously variable control is wound anti-clockwise it decreases the headroom of the power amp, thus introducing harmonic distortion in the power amp and reducing the volume. This is an invaluable tool for tone creation and is part of the reason this amp has found its way into the hearts of many of the top guitarists and record producers on the planet.
Bad Cat Black Cat 30 RSold
Black Cat DC30R combo 2×12 Burgundy
34,000Driftwood price 28,900 sek
The Black Cat 30 Watt with spring reverb. Incorporating two entirely different pre-amp sections, practical user controls render the smooth Black Cat as the most suitable guitar amp for any performance venue. Channel One 12AX7 “Triode” pre-amp is based on interactive Bass and Treble controls. Channel Two EF86 “Pentode” based pre-amp uses a 5 position tone knob for instant access to your favorite sounds, or switch to an interactive bass and treble circuit. The 2×12” cab employs 2 dissimilar rated, Bad Cat proprietary Celestion speakers to further enhance the already shimmering harmonics. The Black Cat is regarded by many knowledgeable players as the finest, most capable guitar amp available today. 2 Channel 4 Input : Hi-Lo Power Speaker Phase Selector Extension Speaker Out Speaker Impedance Selector
Vintage Marshall Super Lead/BassSold
Vintage Marshall Amps Super Bass 1973 ex++ 100% original, Super Lead 1974 ex++ Van Halen mod, Mint Plexi 100 Super Lead 100% original Buyers for these amps would of course want plenty of info and pictures that we would gladly supply.
Super Bass 21,800 sek
Super Lead Plexi 34,950 sek
Super Lead (Brownie mod) sold
Vintage Marshall 4x12 CabinetSold
Vintage Marshall 4×12 Straight, Basketweave Cabinet. 100% original, w. original Celestion Pre-Rola speakers
Buyers for these amps would of course want plenty of info and pictures that we would gladly supply.
Vintage VOX AC-30
Mid 60s vintage VOXAC-30 Top Boost. 100% all original in ex++ condition Buyers for these amps would of course want plenty of info and pictures that we would gladly supply.
please contact us for price
Vintage Fender Deluxe-1954Sold
Fender Deluxe from 1954, all original in ex+++ condition Buyers for these amps would of course want plenty of info and pictures that we would gladly supply.
Vintage Fender Super ReverbSold
Fender Super Reverb from mid 60´s , 100% all original in ex++ condition Buyers for these amps would of course want plenty of info and pictures that we would gladly supply.
Ampeg SVT-CL Heritage ampNew
Designed and assembled in the U.S.A., the Ampeg
Heritage SVT-CL is built with premium components and construction, delivering
true Ampeg tone. Premium tubes, including “Winged C” tubes provide unmatched
tone and classic Ampeg EQ offers flexibility and control. It’s Ampeg’s
Heritage, but it’s your gear…and has been for over 60 years.
19,900Driftwood price 14,995 sek
300 watts of all-tube power
Flexible tone controls
Heritage black-line faceplate
300 watts RMS @ 2 or 4 ohms
Premium, matched tubes
Preamp – JJ ( 2 × 12AX7)
Driver – JJ ( 1 × 12AX7, 2 × 12AU7)
Power amp – JJ ( 6 × 6550)
Mid-tone control: 5-position midrange selector
Speaker connections: Neutrik Speakon© and 1/4″
Transformer balanced line out
Weight: 85 lbs
Premium Heritage black sparkle grille cloth, soft Tolex and trim
Heritage black-line face platePerfect match for Heritage SVT-810E
Ampeg SVT Heritage 8x10 New
Designed and assembled in the U.S.A., the Ampeg
Heritage SVT-810E delivers legendary Ampeg tone in a premium package.
Fully-stocked with eight custom-made 10″U.S. Eminence drivers and overbuilt for ultimate reliability, the Heritage
SVT-810E gives you classic Ampeg performance, unsurpassed quality and
uncompromising Ampeg tone.
11,200Driftwood price 8,400 sek
800 watts power handling
8 × 10˝custom U.S. made Eminence speakers
Premium Heritage black sparkle grille cloth, soft Tolex and trim
8 × 10″ custom U.S. made Eminence LF drivers
RMS power handling:
4 ohms</span></p><p><span id="" class="">Dual 400 watts8 ohms stereo
Frequency response: 40Hz – 5kHz
Max SPL: 130dB
Weight: 137 lbs
Rugged 15mm Birch enclosure
Premium Heritage black sparkle grille cloth, soft Tolex and trim
Perfect match for Heritage SVT-CL
Ampeg SVT-Classic 1x15 speaker cabinetNew
When only the fat, warm sound of a 15” speaker will
get the job done, we highly recommend the SVT-15E. Armed with a massive
five-pound magnet, the SVT-15E’s custom-designed 15” speaker generates
chest-thumping low end like nobody’s business—all the way down to 33Hz. Team it
up with the SVT-CL head and maybe an SVT-12HE, for top-end, and you’re
guaranteed to get the dance floor moving.
5,195Driftwood price 3,195 sek
¼” and Neutrik Speakon® Jacks
Baltic Birch Plywood
2” Swivel Casters
LF Drivers: 1 × 15” Cast
Voice Coil: 2.5”
Magnet Weight (each): 80 oz
RMS Power Handling: 200-Watts
Frequency Response (-3dB): 50Hz-3kHz
Usable Low Frequency (-10dB): 33Hz
Nominal Impedance: 8-Ohms
Maximum SPL: 123dB
Dimensions (W x H x D inches): 24 × 22 × 16
Weight: 72 Pounds
Austin Speaker WorksNew
ASW speakers, we are glad to present the fantastic speakers from Austin Speaker Works.
we have in stock the:
KTS-60, KTS-70, Elegante-alnico and the very special “BludoTone BT-80”
from 2895 sek
British Voice, Texas Tone.
We spent three painstaking years developing our guitar speakers not only to recreate but to improve on vintage late 1960’s Celestion™ tone, which our many clients agree has been lost over the decades. The result is our Featherlite™ cones with our proprietary cone formulas making our speakers essentially vintage right out of the box, rich effortless tone and superior power handling with no break in!
Our Featherlite™ cone construction provides an unobtrusive decoupling damping mechanism enhancing cone stability at high output levels thereby raising cone cry thresholds (reduces cone cry) without smothering desired breakup tone/modes or overall efficiency. Simply put, less moan, more tone!
Each speaker is assembled by hand and tested right here in Austin, TX and comes with our 1 Year Limited Warranty and our personal Customer Satisfaction Guarantee. We take pride in what we’ve accomplished and look forward to sharing it with you.
Folkesson - Raptor Overdrive
-The Raptor – Overdrive/ Distortion pedal
Finally! We are glad to present a world premiere. Tommy Folkesson , the famous boutique amp builder has made an overdrive/distortion pedal with his signature sound. Amazingly transparent and touch sensitive, like nothing you have ever heard before.
We ship world wide.
Pedals and FX gear
Pedals and Fx gear by Folkesson, B.K. Butler, MasterPlant, Skydstrup, Suhr, Keely, WOBO, Ultimate, Radial, 65 amps
Please contact us for more info
We have Pickups in stock from: Holmes, Slider, Wolftone, Fralin, Suhr, Lundgren, Antiquity,
Vintage Pickups: We have in stock, original Gibson PAF´s, P-90´s
Please contact us for more info.
We have speakers in stock from Celestion, Austin Speaker Works, ScumBack, Electro-Voice, Jensen. Both new and Vintage
Please contact us for details